There is no science fiction in "TiMER"; besides the signs of the new era there is only one ill-fated unit on the wrist of heroes… and it is junky. The debut of Jacques Schaeffer, suffers from a strong gender-roll to the left. From the very first minute of every frame of this romantic sci-fi movie it yells: I was filmed by a progressive woman! That, of course, belongs to some resonance with the main message of the picture that advocates quite traditional values like a happy and long marriage.

It was quite unexpectedly, when the author of dark and gloomy superhero epics Mark Steven Johnson made a very light and romantic movie, full of freshness and good mood. Among the many romantic comedies that you've seen recently, When in Rome compares favorably with impeccable accuracy and integrity in terms of directing. Everything was filmed very cleverly and subtly. There is no vulgarity, even sweaty one. This is an outstanding entertaining movie without exaggeration.

Beastly" movie follows a good looking and conceited young man, Kyle Kingson, played by Alex Pettyfer. He feels the results of a curse that morphs him into the very things he hates the most in this yarn spun on the heels of Beauty and the Beast. The stereotypical rich teenage boy that has everything his heart could desire gets his kicks by tormenting and mocking those less fortunate (both financially and genetically) than himself. When he asks the odd, eccentric gothic girl Kendra, played by Mary-Kate Olsen, to a school rally and then spurns her, Kendra casts a spell on Kyle that turns him into something truly beastly. Now instead of being the envy of the school, he is feared and mocked. His only hope of returning to his former physical appearance is to find someone who will love him as he is. Kyle's father, played by Peter Krause, sends him away to Brooklyn where Kyle becomes friends with the housekeeper, played by Lisa Gay Hamilton and his sight impaired private tutor, played by Neil Patrick Harris. Kyle then intervenes in a drug deal gone bad and becomes the protector of the addict so long as he sends his daughter, Lindy, played by Vanessa Hudges, to live with the beastly Kyle. You can guess where the movie goes from there.

West Side Story is a musical drama film released in 2021, directed by Steven Spielberg. The movie is a modern adaptation of the original 1957 Broadway musical of the same name, which was inspired by William Shakespeare's play Romeo and Juliet.

The Soft Skin is a 1964 film directed by François Truffaut, known for his contributions to the French New Wave movement. The film tells the story of a successful publisher named Pierre, who begins an affair with a flight attendant named Nicole. However, their relationship becomes complicated when Pierre's wife discovers the affair and threatens to leave him.

Sitting on the 15th place in The Greatest Directors of All Time list, Woody Allen is a talented writer, who has got more Oscars than fingers on both of your hands. And his next masterpiece To Rome with Love is likely to bring him another one (an Oscar, of course, not a finger). The events of the movie, that seem to be unconnected at the first blush, are masterfully intertwined with each other, mostly not physically, but spiritually, which is an Allen's bonanza anyway. The first story follows a famous NY architect, Jack (Jesse Eisenberg: 30 Minutes or Less, The Social Network) who is nothing more than a younger "reflection" of John (Alec Baldwin: The Good Shepherd, The Departed), who is trying to go back in the past to his youth. Another story is Antonio (Alessandro Tiberi) and Milly's (Alessandra Mastronardi) amorous drama which they are going through separately. This story also involves an Italian prostitute Anna (Penélope Cruz: Broken Embraces, Vicky Cristina Barcelona), and Italian cinema celebrity Luca Salta (Antonio Albanese). There are two other stories (or vignettes) that seem to be separated and unconnected but all of them are nothing more than beads on a curved string of life. By the way, Woody Allen has refuted the assumption of vignette intersection, leaving the audience an opportunity to decide what unites the stories.