Starring such an unusual ensemble cast as Barbara Streisand and Seth Rogen, The Guilt Trip tells a story about young inventor who has and brilliant idea of organic cleaner he recently patented. His name is Andy Brewster (Seth Rogen), and he is unsuccessfully trying to commercialize his invention by selling it to huge corporations. In order to finally sell it, he plans a trip across the USA, but the organic cleaner is not the only reason, his real aim is to help his recently widowed mother, Joyce to find her lost love in San Francisco (Barbara Streisand) where Andy plans to stop for a while. She knows nothing about the surprise, and it's impossible to predict how the things will turn out. Even, if the storyline does not look very promising for you, the movie is definitely worth to be watch by one only reason – to see the phenomenal play of phenomenal woman, Barbara Streisand. Filmed on 2012 by Anne Fletcher, The Guilt Trip could be an exiting entertaining experience for you, especial if you are a fan of Barbara.

Stephenie Meyer's vampire epos has already gathered millions of fans around the world, especially by acting on the psyche of romantic high school girls. However, there is no romance in Twilight. It probably never come to mind of directors of the saga and it is very good thing, indeed. This hormonal storm is beautifully played between beautiful heroes at the background of stunning mossy forests of Washington. The audience felt almost physically justified the postmodern vampires, the vulgar dialogues, and all indescribably wonderful crap that you are to watch and read when you're only 17.

Aaron Eckhart has established itself as a great orator in, for whom are ready to follow both his followers and opponents (Thank You for Smoking), and even if he plays a loser (Hello, Bill!). His charm and an honest look impossible to doubt, and Eckhart's character is more interesting then Aniston's character, who modestly speaking takes a back seat. There is minimum or none of humorous component in this romantic melodrama, aside the main characters: Layne (Dan Fogler), Agent Burke, Eloise and her colleague Marty (Judy Greer), which is very believable and normally obsessed with sex. Extremely sentimental spectator will whisk away the tears every 8 minutes during the first 40 minutes. Toward the end of the movie the stream of tears, will be o only increasing, but more happiness will occur as well.

Atom Egoyan, the director of Chloe is well aware that the strength of any such stories is in the nuances at first hand and "Chloe" is all built on them. It is not important what exactly happens, but how it is reflected on the people. Egoyan clearly shows how the complexes, fears, worries and speculations destroy subjective reality. Main power "Chloe" is in this reticence not even in focus on the main character: the movie switches from one character to another for several times. That is not an accident that the film has a woman's name - the final impression of it is about the same as that from a meeting with a pretty mysterious stranger. Perhaps, as a result it is not turned into something much bigger and important than the conversation of exquisite sexually charged flirtation - but that's a little dangerous feeling of rocking intoxication, mild viciousness and willingness to lose all control is stored, perhaps are even the better things.

Sitting on the 15th place in The Greatest Directors of All Time list, Woody Allen is a talented writer, who has got more Oscars than fingers on both of your hands. And his next masterpiece To Rome with Love is likely to bring him another one (an Oscar, of course, not a finger). The events of the movie, that seem to be unconnected at the first blush, are masterfully intertwined with each other, mostly not physically, but spiritually, which is an Allen's bonanza anyway. The first story follows a famous NY architect, Jack (Jesse Eisenberg: 30 Minutes or Less, The Social Network) who is nothing more than a younger "reflection" of John (Alec Baldwin: The Good Shepherd, The Departed), who is trying to go back in the past to his youth. Another story is Antonio (Alessandro Tiberi) and Milly's (Alessandra Mastronardi) amorous drama which they are going through separately. This story also involves an Italian prostitute Anna (Penélope Cruz: Broken Embraces, Vicky Cristina Barcelona), and Italian cinema celebrity Luca Salta (Antonio Albanese). There are two other stories (or vignettes) that seem to be separated and unconnected but all of them are nothing more than beads on a curved string of life. By the way, Woody Allen has refuted the assumption of vignette intersection, leaving the audience an opportunity to decide what unites the stories.

It was quite unexpectedly, when the author of dark and gloomy superhero epics Mark Steven Johnson made a very light and romantic movie, full of freshness and good mood. Among the many romantic comedies that you've seen recently, When in Rome compares favorably with impeccable accuracy and integrity in terms of directing. Everything was filmed very cleverly and subtly. There is no vulgarity, even sweaty one. This is an outstanding entertaining movie without exaggeration.