When the award winning sitcom The Game moved over from the CW to BET (Black Entertainment Television) on January of 2011 they brought along the original cast members and producer/creator Mara Brock Akil as well as an entirely new appeal to audiences. The premiere episode aired January 11, 2011 and brought in 7.7 milliion viewers, a record for an ad supported TV sitcom for cable. When the CW dropped The Game they realized they had a hot property when a campaign to keep the program created a ground swell that crashed message boards twice. But budget prevailed and soon BET took over. The new season finds Brandy (Grammy award winning singer) joining the "sexy five" cast of Melanie, Derwin, Tasha, Malik, and Jason. Couple Derwin and Melanie Davis continue their attempt to start a family, Tasha Mack discovers her boyfriend is cheating (with a wife and family no less), and Malik Wright loses his quarterback position with the San Diego Sabers. Kelly and Jason Pitts remain apart but continue needing each other. Sparks will definitely fly as this popular series springs into action on the BET network.

Amarres is a Spanish-language web series that premiered on HBO Max on August 12, 2021. Created by Fernanda Eguiarte and directed by Marcelo Tobar, it is produced by Warner Bros. Discovery Americas, Dopamine and Turner Broadcasting System Latin America. The series is considered the first Latin American program made for HBO Max under the banner of Max Originals to be released after the arrival of HBO Max in Latin America on June 29, 2021. The show features Gabriela de la Garza, Hugo Catalán, and Juan Pablo Medina as main cast and consists of 10 episodes that run for 45 minutes each.

"Whose Line Is It Anyway?" is an American improvisational comedy show that first aired in 1998. The show is based on a British version that aired in the late 1980s and early 1990s. The American version features a group of four comedians who perform comedic skits and games based on audience suggestions.

Those who ever watched Idioracy (2006) are aware of the future of television and the appearance of IFC's Bunk will not be in surprise for them. Rest of the people should know this kind of comedy reality series will be dominating till times when everyone would think it's normal to invent a new family-friendly look of David's genital on Michelangelo's masterpiece. Yes it was one of the idiotic contest of second episode of Bunk where two "professional" "comedians" (it's not a coincidence nor mistype that two of words are quoted) fight for ambiguous prizes like "Super Powers", "Universal Alibi" etc. performing silly tasks like "to shame a baby". The series was produced by Kurt Braunohler, an American comedian which is known to us by his roles in Delocated, The Heart, She Holler, Comedy at the Fringe, Jon Benjamin Has a Van and Comedy Lab.

When a British couple find success with Lyman's Boys, a sitcom they have written for the BBC, they are encouraged to take it to Hollywood in the US. When they remake the show to suit an American audience they run into problems leading them to hire Matt LeBlanc as a cast member. But LeBlanc ends up damaging the show and the Lincoln's reputation as well. With their marriage on the line Beverly and Sean Lincoln need to make some change not only in their scripts but in their lives as well. Matt LeBlanc is brought in to replace the lead and he brings along a laundry list of wants few actors would dare request. Further problems are seen when Merc Lapidus (Hollywood network big shot) decides to make some changes to the hit show Episodes. Conflicts and cultural differences are displayed in a humorous way and even though the Lincolns are worried that their success will end in the US they struggle to keep creative control. Wonderful acting and a delightful chemistry between each make this show one to look for every week.

As he championed "the new journalism" in the late sixties, Tom Wolfe suggested no one ever would write anything truly compelling"”fact or fiction"”about the suburbs; he asserted, "There is no life there." During the New Depression, however, the suburbs have gone ghetto, suddenly teeming with life and depravity; and television writers are producing all kinds of compelling stuff about what they have discovered beyond the white picket fences. Witness Showtime's smash-hit "Weeds," the life and times of a "proper" suburban widow keeping-up appearances while she deals more dope than a six-pack of Mexican cartels. As in "The Office," the basic premise for "Weeds" is an import from Great Britain, adapted from the British film Saving Grace which showed a widow and her gardener conspiring to maintain the widow's lifestyle by supplying the locals with their favorite herbal refreshment. Critics frequently compare "Weeds" with American Beauty for its exploitation of the idea "Normal is the face we wear to cover how f***ed-up we are." By contrast with "Desperate Housewives," Nancy Botwin, our entrepreneurial heroine, has far more good reason for desperation than her difficulty achieving orgasm; she has a house, a mortgage, two sons, and a reputation. Since Bonfire of the Vanities tanked and "Weeds" flourished, Tom Wolfe may have to consider the distinct possibility that there is no life in Manhattan.