Sin City is a 2005 American neo-noir crime anthology film directed by Frank Miller and Robert Rodriguez. The movie is based on Miller's graphic novel series of the same name and features a series of interconnected stories set in the fictional city of Basin City. The film explores themes of crime, corruption, and revenge, and features an ensemble cast of characters, each with their own dark and twisted story.

The Next Three Days Movie is a crime thriller that features an all star cast with Russell Crowe, Elizabeth Banks and Liam Neeson. It seems things couldn't be better for John Brennan, but when his wife Lara (Elizabeth Banks) is accused and convicted of, then sentenced to prison time for a murder that she didn't commit, his whole world seems to come crashing down. While his wife is behind bars, John does everything he can to hold his family together, keep his job and find proof his wife is not a murderer. However, after their final appeal is rejected and three long years in prison, Lara can no longer cope and contemplates suicide. Now John knows the only way to save his family is to break his wife free and risk losing everything he has left. The next three days will be the most important ones John will experience.

Former bank robber and cop who has always been after that criminal, both are faced a dangerous conspiracy threatening their life. No one could predict that one only insignificant event will ignite the entire chain of catastrophically hazardous happenings leading to potentially "unhappy end". The former enemies, a retired criminal Jacob Sternwood and a gritty copper Max Lewinsky both have learn how to survive invisible threats, which makes them a team. The movie was directed by Eran Creevy, a man behind Shifty (2009), Scoop, Breakfast on Pluto and Wimbledon. He gathered an awesome ensemble in his thriller Welcome to the Punch: Jacob Sternwood is played by Mark Strong (Mindscape, Zero Dark Thirty, John Carter and Green Lantern) while James McAvoy (X-Men: First Class, The Conspirator, Atonement and The Last King of Scotland) stars as Max Lewinsky.

High level of realism and plausible scenes of true life of the street gangs and the cops being in state of permanent war with each other are the bold line that is piercing the dramatic plot of End of Watch. The story about friendship between two police officers Taylor and Zavala. Officer Taylor is portrayed by Jake Gyllenhaal, whose identity has not necessarily to introduce. Everybody is familiar with him performing the leading roles in Source Code, Love and Other Drugs and Prince of Persia: The Sands of Time. Officer Zavala is played by Michael Peña, who may be less know to the mass audience, but you could distinctly remember him playing the second plan roles in such movies as The Lincoln Lawyer (Jesus Martinez), Tower Heist (Enrique Dev'Reaux) and 30:Minutes or Less (Chango). Although it's pertinent to say here that Michael was participating in some serious projects at the moment when End of Watch are coming the big screens: Tom Gianas's and Ross Shuman's animated comedy Hell & Back, David Soren's Turbo (animated, too) and biographical Chavez by Diego Luna. oing back to the movie storyline: both the plot and filming present the outlandish combination of frightening realism (all the footage was made by the handheld HD cameras and the street surveillance cameras) with courage of two brave cops patrolling the most dangerous places of the city.

Public Enemies is fair to compare with the cult Heat released fifteen years ago, but it seems that this time the Michael Mann jumped above the head, and it is not surprising as it seems at first glance. Mann manages to convert high-tech to high art, and that this film will be remembered after seventy years, as now, let's say, Dreyer's movies, as a major illustration of the key role of Mann in the world of cinema. And this is not only the matter of the form. Yes, Mann filmed first digital retro. And yes, the atmosphere of the thirties was recreated down to the dress models.

Tenderness tells a story of Eric Komenko, who just released from juvenile prison. He murdered his parents in a state of affect; and now goes on a journey, seeking the new adventures. Laura, the quaint girl who felt in love with Eric, unexpectedly appears in his car, becoming an uninvited fellow traveler. A retired Lt. Cristofuoro, convinced of his guilt and the propensity to murder follows Eric Komenko. What awaits them all at the endpoint of the path? One of them runs away from pain, but who is chasing a new pleasure?