Tragedy, much like misery, loves company. In Clint Eastwood's Hereafter movie, three intertwining stories of persons who have had close encounters with death and the dead are told in dramatic episodes. Matt Damon is George Lonegan, an American worker who can talk with the dead; while Cecile de France is Marie, a French TV journalist and one of the few tsunami survivors and there are brothers, Marcus and Jason (played by Frankie and George McLaren) who died from a car accident. At one dramatic point, these tragic stories converge.

High level of realism and plausible scenes of true life of the street gangs and the cops being in state of permanent war with each other are the bold line that is piercing the dramatic plot of End of Watch. The story about friendship between two police officers Taylor and Zavala. Officer Taylor is portrayed by Jake Gyllenhaal, whose identity has not necessarily to introduce. Everybody is familiar with him performing the leading roles in Source Code, Love and Other Drugs and Prince of Persia: The Sands of Time. Officer Zavala is played by Michael Peña, who may be less know to the mass audience, but you could distinctly remember him playing the second plan roles in such movies as The Lincoln Lawyer (Jesus Martinez), Tower Heist (Enrique Dev'Reaux) and 30:Minutes or Less (Chango). Although it's pertinent to say here that Michael was participating in some serious projects at the moment when End of Watch are coming the big screens: Tom Gianas's and Ross Shuman's animated comedy Hell & Back, David Soren's Turbo (animated, too) and biographical Chavez by Diego Luna. oing back to the movie storyline: both the plot and filming present the outlandish combination of frightening realism (all the footage was made by the handheld HD cameras and the street surveillance cameras) with courage of two brave cops patrolling the most dangerous places of the city.

Salt movie initially had a powerful charge of positive energy given by the director Philip Noyce, who is one of the best in the quite competitive market of the political thrillers. In "Salt," he managed to show off their skills in full force and create a frenzied pace in which the main character has to move. Another important component of the film perfectness is a vivid visual artwork. So, the Angelina Jolie's protagonist character forced to change appearance, as a result he consistently appears before us in different character types. It positively affects the dynamics of the film, bringing in scenes lots of action energy and bright colors. If we talk about the place of film in the Jolie filmography, it should be noted that the "Salt" is another milestone in the career of the actress in the field of action genre.

Focus is a 2015 film starring Will Smith as Nicky, an accomplished con artist, and Margot Robbie as Jess, his apprentice. While Nicky teaches Jess his trade, the two become involved in a romantic relationship. Uncomfortable with the change in their situation, Nicky severs the relationship, only to encounter Jess again years later while working a dangerous job in Buenos Aires involving a billionaire international race car owners. Jess is working the opposite side of the same scam that Nicky is involved in—the most dangerous job he has tackled yet. To add to Nicky's woes, Jess is now an accomplished con artist in her own right, and manages to throw Nicky off his game at a time when he cannot afford to be anything but focused. What will happen when these two seasoned con artists with a romantic history collide?

The Town (2010 film) is the Ben Affleck crime drama released in 2010 and it's a second movie directed by him. The Town plot is based on the novel "Prince of Thieves" written by Chuck Hogan. The movie follows Doug MacRae, who lives in a suburb of Boston and Charleston. He has a pretty nice job: he robs banks together with his friends. During one their "adventures" they are taking young girl Claire as a hostage. Lately, when they release her, Doug decides to check whether she may represent some danger for the gang. He seemed to have accidentally meets her, but the familiarity is gradually develops into love, which makes Dag choose on whose side he was on...

"Freedomland" is a 2006 drama film directed by Joe Roth. The story centers around Brenda Martin, a woman who claims her car was stolen with her young son still inside. As the police launch an intense search for the missing child, racial tensions escalate when Brenda accuses a young African-American man of being the perpetrator. The film explores themes of race, community, and the devastating consequences of misinformation.