What you'll get if you mix up together Melrose Place and How I Met Your Mother? Yes, the witty, funny and spontaneous The L.A. Complex, a TV show about vicissitudes of lives happening with group of buoyant young people living in the same apartment complex called The Luxe. Perfectly mixed scandal, drama and romance keep the audience intrigued as it should be expected taking in consideration the fact that The L.A. Complex was created by makers of the most realistic teenagers' television series of early "˜10s, Degrassi: The Next Generation. But the professional creators aren't the main cornerstone of The L.A. Complex success, the perfectly selected and combined cast is the crucial piece in TV show's popularity. Just imagine Jewel Staite (Supernatural, Warehouse 13) playing along with Cassie Steele (mentioned before Degrassi: The Next Generation and My Babysitter's a Vampire), Joe Dinicol (Scott Pilgrim vs. the World, Flashpoint, Haven) and sexy Chelan Simmons playing Alicia, a sweet , cute and innocent "¦ strip-dancer - certainly a necessary character to attract some share of male audience, which is undoubtedly kind of smart step taken by the series' plot creators.

Just how much reality can we really stand? After being involved in a serious car accident with his wife and son Michael Britten, a police detective, must face the reality of one or the other of his loved ones having been killed in that wreck. He experiences "realities" involving each scenario and as we witness, his mind wraps around the existence of that reality being true. Scary as that may sound the detective does manage to perform his duties as a police detective and solve crimes. His captain (Laura Innes from ER, The Event) and his partner "Bird" Freeman (Steve Harris from Homicide: Life on the Streets, Law & Order) worry about Britten's sanity as he moves between two reality scenarios that are equally terrifying. Jason Isaacs (Harry Potter films, The Patriot) is detective Britten, a man who is Awake through his sorrow and visions. He wears colored rubber bands, each one different for the reality he sees. Red reflects his wife being alive and green for his son remaining alive. We, the viewing audience, can tell by color of those bands how much he pines for his missing loved ones.

Fantasy Island is a television series that premiered in 2021. It is a reboot of the 1977 series of the same name. The show follows the adventures of Elena Roarke, who runs a luxurious resort on a remote island. The island has a special power to make people's dreams come true, but with unexpected consequences.

Mad Men, Magic City and The Playboy have landmarked the "fashion" for television series depicting midst of the 20th century in some romanticized and embellished way which is not surprising (it's hard to believe that series showcasing the real 50-60th life could gain some success). Vegas looks exactly like next one in row of abovementioned TV shows, telling a story about a very typical Sheriff, Ralph Lamb, confronting the evil personalized in a typical Italian mobster Vincent Savino. The character of Sheriff Ralph Lamb was copied from real life person, a Sheriff of Clark County whose name was Ralph Lamb, and who served in 1961"“1979. Vincent Savino impersonate crime boss Marcello Giuseppe Caifano, a real-life mobster too, a high-ranking member of the Chicago Outfit criminal organization, who moved to the city of inspiring opportunities (Las Vegas). He was made overseer of mob-controlled casinos in Las Vegas and has got a "Don" chair of Las Vegas by trading off his wife, a " supersexy blonde hottie" Darlene, to the Godfather of the Chicago Mafia. As the price was paid, Vincent Savino / Marcello Caifano was faced the necessity to take total control over the city, and Ralph Lamb was the last standing on his way.

If you liked Thelma & Louise, Mad Money and Divine Secrets of the Ya-Ya Sisterhood, then you are probably a fan of award-winning screenwriter Callie Khouri. Her talented writing had secured ABC's new television series Nashville positions as a huge hit of 2012-2013 seasons. The TV show depicts life and struggle of country music star Rayna James to get back on the big stage. Her last chance is her next promo tour, which she has no chances to fail, just because if she fails, her future career as country music star will be very questionable if possible at all. To make chances higher, Rayna takes in her tour, a young starlet Juliette Barnes, whose young sexy power is expected to be in some help to make Rayna's promotion more effective. There are no doubts that both singers are pursuing their own goals. If, the first one wants not to fade away from stardom, the second one wants to take her place in the stage. The next problem is that Rayna's father, Lamar Wyatt, who is powerful politician and a wealthy man of Nashville, seems to be disapproved in Ryana's abilities to regain her stardom glory. As a controlling patriarch he's betting on Rayna's husband, Teddy Conrad, who was living on Rayna's revenues, and now is trying to make a career as mayor of Nashville (thanks to help of a father-in-law). Such a twisted plot is accompanied by masterfully selected and combined ensemble cast: Ryana James is played by Connie Britton (a Vivien Harmon in American Horror Story and Diane Huxley in 24 television series), while the young teenage music star Juliette Barnes, is played by Hayden Panettiere (Kirby Reed in Scream franchise.)

One critic characterized "Breaking Bad's" dark humor as "Thelma and Louise as seen by Dostoyevsky" and that was one of the perkier, more optimistic descriptions. A seven-part AMC series, "Breaking Bad" TV show tells the story of Walt White, high school chemistry teacher turned methamphetamine cooker and dealer. Of course, as Glenn Frye crooned, "The lure of easy money has a very strong appeal," but "Breaking Bad" does not allow for even a split-second of sunshine through the abysmal darkness. In this corner of the universe, crime never-ever pays. Walt, expertly portrayed by Bryan Cranston of "Malcolm in the Middle" fame, is neck-deep in problems, complications, and flat-out ugliness from the minute he lights the Bunsen burner. Although the writers have woven-in some amazingly ironic lines, known in the trade as "comic relief," the characters deliberately deliver their quips in such a super-slow, slack-jawed drawl they seem more tragic than funny. Of course, "Breaking Bad" TV series make some pretense toward allegory of the American middle class struggling through the throes of deep recession, and it scores some hard hits. Most of all, though, "Breaking Bad" shows that even when fine writers, directors, and actors can find humor and pathos in displaced white-collar workers' undignified struggle for dignity, it still looks awfully damned dreary and ugly.