There are plenty of "cop" shows on television currently but one truly stands out as being totally entertaining and that one is Memphis Beat. Comedy, action, and some really good acting as well as scripts that stand out from the rest make for an hour's worth of enjoyment every week. Memphis Beat stars Jason Lee (My Name is Earl, Clerks II) as Memphis PD detective Dwight Hendricks, the self proclaimed "keeper of Memphis". He has several women in his life including his mother Paula Hendricks who is played by Celia Weston (Knight and Day, Modern Family), Memphis PD lieutenant Tanya Rice (Alfre Woodard from Desperate Housewives, Star Trek: First Contact), and an ex-wife Alex (played by Sunny Mabrey from Mad Men, Rules of Engagement) who shows up now and then. He has his hands full with each of these three women but his job seems to be a relief from personal life. Memphis Beat shows the southern charm and easy way of life of the south and even brings in some Elvis Presley music along the way. George Clooney is executive producer.

Those who ever watched Idioracy (2006) are aware of the future of television and the appearance of IFC's Bunk will not be in surprise for them. Rest of the people should know this kind of comedy reality series will be dominating till times when everyone would think it's normal to invent a new family-friendly look of David's genital on Michelangelo's masterpiece. Yes it was one of the idiotic contest of second episode of Bunk where two "professional" "comedians" (it's not a coincidence nor mistype that two of words are quoted) fight for ambiguous prizes like "Super Powers", "Universal Alibi" etc. performing silly tasks like "to shame a baby". The series was produced by Kurt Braunohler, an American comedian which is known to us by his roles in Delocated, The Heart, She Holler, Comedy at the Fringe, Jon Benjamin Has a Van and Comedy Lab.

"Sex and the City" is an American television show that aired on HBO from 1998 to 2004. The series is based on the book of the same name by Candace Bushnell and follows the lives of four women living in New York City. The show explores their romantic and sexual escapades, careers, and friendships.

If your family drama cannot be "Modern Family" or "Brothers and Sisters," then what can it be? It almost inevitably will be NBC's "Parenthood," a mid-season, post-Olympic experiment boldly launched in February, 2010. The "Parenthood" experiment tests the hypothesis that good writers and actors can find the middle ground between "Modern Family's" understated but outrageous satire and "Brothers and Sisters'" intensity. Producers Ron Howard and Brian Grazer are re-working the basic premise of Parenthood, the 1989 movie starring Steve Martin as a frazzled father trying with all his might to do the right thing for everyone he loves. The New York Times accurately observes, "'Parenthood,' with its polished scripts and beautifully shot exteriors, seems like a last gasp of television past," big-big production values and a cast of small-screen all-stars including Craig T. Nelson, Bonnie Bedelia, and Lauren Graham. "Parenthood's" plots and dialogue exploit the irony in everyday family life, winning empathetic laughs and wry smiles where other teams might push too hard for punchlines. Some of the dialogue has the same brilliant serrated edge that distinguished "Gilmore Girls," but, as Lauren Graham points out, "I do not have to talk so fast." Like all good comedy, the teasing and quirkiness are fundamentally good-natured, and every episode features at least one weep-worthy segment. Because "Parenthood" is not "Modern Family" or "Brothers and Sisters," it has become the rarest of rare productions at NBC"”a hit.

Miracle Workers is a television series that premiered in 2019 on TBS. The show is based on the novel "What in God's Name" by Simon Rich and stars Daniel Radcliffe and Steve Buscemi. It is a comedy series that takes a lighthearted look at heaven and the bureaucracy that runs it.

Their friends acknowledge it always has been this way: Tina Fay gets lots of headlines and personal appearances while Amy Poehler does the majority of the comic heavy lifting. The trend continues in NBC's high-powered Thursday night comedy line-up as Fay continues driving "30Rock" to the top of Nielsen's charts and Poehler brilliantly busts-out gut-busters with her new sit-com "Parks and Recreation." In much the style of "The Office," Poehler's "Parks and Recreation" TV show works the popular mockumentary format; and her character, Leslie Knope, willingly gives voice to her relentless optimism as she speaks directly into the camera. Leslie serves as the Deputy Director of the parks and recreation department in Pawnee, Indiana, where she considers herself a rising star in the local political firmament. Think of her as the female equivalent of Steve Carrell's "Office" character, prone to pretzelating the truth with observations like, "These people are members of a community that care about where they live. So what I hear when I'm being yelled at is people caring loudly at me." Professionals devoted to the sad enterprise of explaining the jokes stress that Poehler's genius lies in her ability to make an obvious ditz both funny and sympathetic rather than just plain weak. Women may not feel inspired to vote for Leslie, but they cannot help loving her.