Intriguingly balancing on the edge of documentary crime-storytelling and emotional movie-styled eye witnessing, Final Witness leaves weird feelings after the first watching. In the first hand we see, professionally gathered facts and witnesses about real life crimes combined in the proper timeline manner: the circumstances which have lead to criminal act, the actual criminal act itself, consequences of this perpetration and effects caused by it on victims entourage. On the other hand, the scenes are assembled in the movie-like way rising emotional essence to the high levels of hysteria; complementing the horrifying scenario by murdered victim's narration from the first person. Although, all the described events really took place in the American cities from New Orleans to San Francisco, there is a kind of strange feeling originated from the series too emotional background, the feeling making unbelievable these rapes, murders and homicide acts are the real life events.

Mob Wives is called a "documentary soap opera" with good reason. It is a story about people who don't exist because there is no such thing as the Mob or Cosa Nostra or Mafia! But there are those living among us who know better. The housewives, parents, and children of mob and criminal related individuals are shadowy figures who live in the background of their powerful husbands and fathers until the bad guys get caught and must spend time behind bars. Then these formerly quiet and reserves ladies capably take matters in their own hands and go about their lives. The four Mob Wives include a group of friends who support each other while their men are away and it's no easy task to attempt to maintain a lifestyle they've become used to when the main bread winner of the family is away incarcerated. James Molinaro, who is President of the Borough of Staten Island in New York has declared the show is a disgrace because it portrays not only Italian Americans but also Staten Island itself as being lowlife and detrimental.

NYPD Blue is a police procedural drama TV show that aired on ABC from 1993 to 2005. The series follows the work and personal lives of the detectives of the fictional 15th Precinct of the NYPD in Manhattan. The show was known for its gritty portrayal of police work and controversial topics such as nudity, sex, and violence.

What they call a "backdoor pilot became the pilot for The Finder, a new procedural drama on the Fox network when the 19th episode of Bones premiered in January of 2012. That episode has the main characters of the popular series Bones traveling down to Key West, Florida. The main characters must be people we love to see each week and follow along with their lives on the program. Series creator Hart Hanson wanted each character to be memorable and one which we, the viewing audience, want to see back again next week. Episode plot lines include a Cinderella story, including missing shoe, finding a missing father who's airplane vanished in the wilderness of Florida, and lead character Walter Sherman (Geoff Stults from October Road, Happy Town) hunting for bullets from a murder involving a policeman's death from 20 years ago. Also starring are Michael Clark Duncan (The Green Mile, Redemption Road) as Leo Knox, Mercedes Masjohn (Now and Nowhere, Red Sands) as Isabel Zambada a US Deputy Marshall, and Maddie Hasson (God Bless America). The initial episode included a brief appearance from John Fogerty (Creedence Clearwater Revival) who provides the theme music for The Finder.

"MURDER COMES TO TOWN" is a true-crime television series that examines high-profile homicide cases in small towns across America. The show takes a closer look at each murder case and the impact it has on the community. It also delves into the police investigation, the trial, and the aftermath.

"The Chicago Code" has nothing to do with deep-dish pizzas or the cruelly cursed Cubbies. "The Chicago Code" openly, unabashedly, plain and simple, is all about good versus evil. The good guys following "The Chicago Code" are very very good, and the bad guys breaking the code are very very bad. The windy city itself, definitely a critical element in the drama's development, lives somewhere in-between. Chicago may be "the second city," but it stands out as America's number one oxymoron. "Hog-butcher to the world," Chicago also brought us Hemingway and Frank Lloyd Wright. Home to Picasso's breathtaking artistic monument, Chicago also has been home to some monumental con artists: Rod Blagojevich comes immediately to mind. "Blaggo" is to Chicago scams as the Picasso is to the city's art and architecture. More to the point of "The Chicago Code," in just over thirty years, thirty-one second city aldermen have been convicted of violent crimes or corruption. In Chicago, graft greases the wheels and gets your streets ploughed. Although corruption may be common as camel-hair coats on the Magnificent Mile, Chicago cops still want to collar the bad guys. "The Chicago Code" attempts to dramatize how and why they do it, and it packs a pretty good punch for a network production. Critics and home-grown Chicago viewers strongly suspect "The Chicago Code" would achieve its completely gritty potential on cable, but it's hard to complain about Jennifer Beals, still fit and fabulous all these years after Flashdance, going balls-to-the-wall against the bad guys in Monday night primetime.