"The Thundermans" is an American comedy television series that premiered on Nickelodeon in 2013. It tells the story of a family of superheroes who live in Hiddenville and have to balance their daily lives with their secret identities as crime-fighters. The main characters are parents Hank and Barb Thunderman and their super-powered children Max, Phoebe, Nora, Billy, and Chloe.

This Fool" is an American comedy television series created by Chris Estrada, Pat Bishop, Matt Ingebretson, and Jake Weisman. The show stars Estrada and Frankie Quiñones. It premiered on Hulu on August 12, 2022 and was renewed for a second season in November 2022. The series follows Julio Lopez, a 30-year-old man who still lives with his mother and grandmother in his childhood bedroom and works at a gang rehabilitation center in Los Angeles called Hugs Not Thugs. His older cousin Luis, a former gang member, is in the rehabilitation program after being released from prison. The series was created by Estrada with producers Bishop, Ingebretson, and Weisman, and Fred Armisen is an executive producer. All 10 episodes of the first season were released on Hulu on August 12, 2022.

"Reboot" is a television series that premiered in 2022 and is a science-fiction action-adventure show. It is a reboot of the 1994 series of the same name. The show follows the story of four teenagers who become trapped in a virtual world created by an evil entity known as The Sorcerer. The group must work together to find a way to escape and defeat The Sorcerer before he can take over the real world.

For all the right reasons, "Community" has become one of the mainstays in NBC's comedy line-up. During its first season, "Community" focused on attorney Jeff Winger, disbarred after the accreditation committee discovered his undergraduate degree was from Colombia the country, not the university. Determined to win reinstatement in his old profession, Winger enrolls in community college, forming a Spanish-class study group which includes, among others, a cynical divorcee and a mid-life millionaire who made his money in moist towelettes. "Community" bravely exploits the ethnic and economic diversity in the study group, showing its gifts as an equal opportunity satirizer. The writers also have courage to wring big laughs from realistic representation of life and attitudes in "junior college." During the second season, "Community" had large and loyal enough following to encourage writers' development of plots centered on characters other than Winger, and they developed some of their best material by focusing on the dynamics of the group itself. Every member of "Community's" all-star ensemble cast has impeccable comedy or small-screen credentials: Chevy Chase's resume, of course, reads simply "legend." Joel McHale, Gillian Jacobs, Yvette Nicole Brown, and the rest of the cast bring a combined gazillion years of small-screen experience into the mix, and they have imprinted their distinctive styles on their roles. Similarly, all the partners in the production team boast high-powered Hollywood pedigrees and trophy cases full of Emmys. If "Community" had gone dark after the first thirteen episodes, television sets all over North America would have gone straight to test-patterns, because NBC writers and producers would have abandoned all hope for traditional sit-coms' futures.

If you have missed a chance to be hooked up with Gilmore Gilrs, the new ABC's dramedy Bunheads is exactly what you need. The first episode of Bunheads has left such a feeling that if there were a little bit more of GG-like moments in Bunheads, the CW lawyers would inevitably file the suit against ABC. And that is not surprisingly taking into consideration the fact that the TV show was created by the same Amy Sherman-Palladino who created splendid Gilmore Gilrs. It is felt throughout the sharp dialogs, giddy repartees, deeply portrayed personalities and perfectly constructed dance scenes. The astonishing dancing ingredient of the Bunheads, is of course not only the personal merit of Sherman-Palladino, but Sutton Foster and Kelly Bishop. Both of them have quite serious dancing background. Another Sutton's and Kelly's merit is drollery atmosphere which these two awesome women create around themselves. Kelly plays Fanny Flowers, a small town dance studio owner, while Sutton portrays Michelle Simms, a cute dancer being caught in the lower point of the career, when series of questionable decisions had led her out of Las Vegas dancing scenes to small rural town Paradise, California where she met Fanny. There are more pry personalities in the series like talented and perfectly shaped Sasha (Julia Goldani Telles) and purposeful Bettina, aka Boo (Kaitlyn Jenkins). All the characters feature inexpressible chemistry between each other, and the spirit of the show is sweet, pleasurable and cuddlesome.

The Wonder Years is a television show that aired in the late 1980s and early 1990s. The show follows a young boy named Kevin Arnold as he navigates the ups and downs of adolescence in the late 1960s and early 1970s. Through Kevin's eyes, viewers get a glimpse into the social and political issues of the time, as well as the challenges of growing up.