The Last Legion is a much predicable movie: it fills a storyline gap between the Roman Empire and the legend of King Arthur, logically linking them, showing the continuity and integrity of both history and story. Especially by a remarkable way of the sword Excalibur, forged from iron ore from a meteorite fallen on Earth. So this movie should appear sooner or later, due the lack of original stories every unoccupied niche certainly is filled. Thus, the source is good. What do we have as a result? The film is not historical, but "based on" - however, it does not a bug, but only a feature, since not all because movies of the past must be strictly historical. Although significant fact: "Pirates of the Caribbean" can be easily forgiven of the almost complete lack of connection with history, but for "The Last Legion" it is the main disadvantage from the critics point of view… kind of weird logic.

"Cobra" is a 1986 American action film starring Sylvester Stallone as a Los Angeles police officer named Marion Cobretti, nicknamed "Cobra". The movie follows Cobretti as he tries to protect a young model, Ingrid, who has witnessed a brutal murder committed by a gang of killers known as the New Order.

The King's Man is a 2021 action-adventure film directed by Matthew Vaughn. It is a prequel to the Kingsman film series and tells the story of the origin of the Kingsman organization. Set during World War I, the movie follows a group of soldiers who join forces with the Duke of Oxford to stop a group of villains who are plotting to start a global war.

"The Transporter Refueled" is an action movie released in 2015, directed by Camille Delamarre. The movie follows Frank Martin, a former special-ops mercenary who now works as a driver-for-hire. He is hired by a group of women to help them rob a bank in order to take down a Russian kingpin who is responsible for their past grievances.

Tommy Wirkola's Hansel and Gretel: Witch Hunters storyline is set the fifteen years after the events described in Brothers' Grimm book "Hansel and Gretel" which was written in 1812. The story of Grimm's characters, two siblings Hansel and Gretel, is well known around the world. Two children were left deep in the forest by their merciless father and stepmother provoked him to do such a horrible thing. After the days of wandering and starving, siblings have encountered a strange house built of gingerbreads, cakes and caramel. Hungry children began to eat the house walls when "very old woman" came out of house and greeted poor children, welcoming them to enter her abode, promising to feed them and give them a rest in soft and clean beds. The reality was that "very old woman" was nothing more than a ordinary witch willing to cook and eat Hansel and Gretel. However, smart siblings recognize her true intentions and happily escape home outwitting the old with by luring her into the oven. Besides this, they have stolen most of her gold, making them and their father incredibly rich (thanks to God their evil stepmother were dead by unknown reason by this time.) Coming back to the movie, after the fifteen years Hansel (Jeremy Renner) and Gretel (Gemma Arterton) became the professional witch hunters equipped by the last word of modern warfare industry of those times: pneumatic shotguns, arbalests etc. The nice pair was hired by the Mayor of Augsburg to track down and slay the most powerful witches of that region. This easy at the first look task, is going to be much more complicated as the local Sheriff, named Berringer (Peter Stormare), steps into this business. The movie is colorful by all the meanings: the horror, action, black humor and awesome witches are united in one watchworthy story – what could be better? As per witches, they are really great. Just imagine Monique Ganderton, Joanna Kulig, Ingrid Bolso Berdal, Zoe Bell as the 3D-enchanced furiously powerful godless creatures and Renner with Arterton exterminating them. Huh?

Irish author Jonathan Swift first published Gulliver's Travels in 1726, and it became an immediate sensation. Since then, Gulliver's Travels never has gone out-of-print, and its twenty-first century sales remain nearly as robust as they were in the sixteenth. Universally acknowledged as a classic of British literature, Swift's wonderwork scathingly satirizes human nature and parodies "travellers' tales." Not surprising, then, Hollywood has attempted to bring Gulliver's story to life on film in every decade since the medium was invented. Typically, the special effects have failed to keep pace with Swift's imagination. In the story's latest reprise, a slightly modernized version, the special effects are up to the challenge, but the question emerges, "Is Jack Black up to it?" Black has disappointed fans with his last couple of ventures, but critics say he looks "at ease" as he goes for "big" laughs in the land of the Lilliputians. The producers and director have built-in a few features to give Black a healthy bounce: Updating the story, they show Gulliver as a contemporary mailroom guy who finally catches a break, winning a travel-writing assignment in the Bermuda Triangle. 3D has gotta help the contrast between big Gulliver and little Lilliputians, and an all-star supporting cast is expected to bring out the best of Black's comic gifts.