"Godzilla, King of the Monsters!" is a 1956 Japanese-American science fiction film, directed by Ishiro Honda and Terry O. Morse. The film was created by re-editing footage from the 1954 Japanese film "Godzilla", which was combined with new footage of American actors, including Raymond Burr, to create a new storyline. In the film, a series of devastating attacks by the giant monster Godzilla leaves the city of Tokyo in ruins, and it's up to a group of scientists and military personnel to find a way to stop the creature before it destroys all of humanity.

Few of us know Scott Charles Stewart as a man standing behind the visual effects of such the great movies of last decade: Red Cliff, Iron Man and Pirates of the Caribbean franchises, Harry Potter and the Goblet of Fire and Live Free or Die Hard. In 2009 he debuted as director of horror movie Legion followed by awesome directorial work on action-horror film Priest in 2011. Dark Skies (2013) his forth directorial project and definitely most ambiguous one. The movie follows Barret family. They are quiet and inoffensive people living their insulated and isolated lives among suspicious neighbors in small American town. That's why they are left one-on-one with imminent threat. Gorgeous hottie Keri Russel (Austenland, Goats, Extraordinary Measures) is playing the main character in Dark Skies (2013) while Dakota Goyo (Noah, Real Steel, Thor) is playing her young brother, Jesse.

"Hereditary" is a 2018 supernatural horror film that tells the story of a family that is haunted by a sinister presence following the death of their grandmother. The film explores themes of grief, mental illness, and the nature of evil. The film was written and directed by Ari Aster and stars Toni Collette, Alex Wolff, and Milly Shapiro in the lead roles.

Saw 3D is the last sequel of the Saw franchise. It was released in 2010 as the seventh chapter in series "Saw" series. Traditionally directed by Kevin Grotert, similar to the previous films Saw 3D showcases such an enormous quantity of violent scenes that it was prohibited to theatrical release in many countries. The movie follows Dr. Gordon, whose fate was not known since the first part, when he amputated his leg, and left crawling down a long corridor. On the way he meets a pipe steam heating, and to avoid death from blood loss, he cauterizes the wound, leaning against it to the pipe and screams in pain. Meanwhile, we show the "public" trap, which in some parts can be seen in the trailers. There are two boys and a girl, which both young men fallen in love. Guys chained to the device that contains the two circular saws on each side and one on top. Girl chained to a platform hanging directly above the third saw. All three men knew each other. Than we see Billy who announces the rules of the game. As the girl manipulated the guys and the guys violated the law perusing his object of adore, now she has to find some way to break this triangle.

After it wrapped in November, 2009, Season of the Witch, an old-school horror movie starring Nicholas Cage and Ron Perlman, went into a strange suspended animation. In November, 2010, the studio finally distributed a trailer with very little fanfare, and setting a release date in mid-January, 2011. Cinephiles with exquisite powers of observation detected changes in the credits for key production roles, expressing their concern about the project's integrity. The pre-release buzz registered only lukewarm, and a few long-time fans used the unfortunate phrase "paycheck movie" to describe Cage's efforts."Reminiscent of Beowolf with more horror and gore, the story draws admirably from all the traditions of medieval storytelling, ultimately pitting the two courageous crusaders against a dark force that threatens to rule the world."Returning from the Crusades, a noble night finds his homeland ravaged by the black plague. Church officials blame sorcery for the pestilence, and they have captured the witch they hold responsible. They command the knight to transport the alleged witch to an abbey where the monks specialize in exorcising demons. The knight enlists the help of a priest, a grieving comrade-in-arms, a disgraced vagabond, and an arrogant young would-be night. Together, they battle hostile and horrible wilderness, making their way to the abbey where the witch's terrible secret is revealed and literally all hell breaks loose.

The Fourth Kind's storyline is based on pseudo-real recorded on the home camera by the psychoanalyst during his private practice. This archival video is the basic structural core of the movie, and the plot overlays it. It's quite an unusual approach, both components are so deftly and seamlessly woven together, that it produces a very bright effect. Olatunde Osunsanmi blurs the line between fiction and reality step by step and makes it so efficient that the atmosphere of shock, horror, mind clouding and painful dreaming completely fill the mind.