Richard Curtis once again attempted to combine several genres and cater to all audiences, without an exception. The Boat That Rocked is sprightly comedy about horny rock propagandists. The movie is complemented by a gentle romantic touch of first love. Then it turns into a melodrama about growing up, finding one's own ego and his father. Then strives to make the step in the direction of a musical with indispensable Nighy dancing. It almost went into the drama: the British government still slightly crossed the line against the disgraced radio. And once again it becomes a comedy. Richard Curtis by doing nothing supernatural managed to go beyond this or that genre, really pleased everyone by this charming and even, "mainstream" movie.

Couples Retreat is a funny comedy with great actors and with pretty nice plot. It starts with lots of pictures of couples of all ages. The first part of the film simply tells about families and their lives and gives us to understand, what are their issues. From the island of Bora Bora, the fun begins…he story is as follows: four married couples, some of which are on the verge of divorce and dream to improve relations, some go just to have fun and to warm his back on the beach, agree to participate in the Pelican bonus program! Upon arrival in Eden, these eight hampered by a long list of rules, starting with the lack of free time and ending with the strictest ban on entertainment. From morning till dawn, they will have couching sessions, which aim to bring together tired of each other people, but its only alienate them more and more, revealing previously unknown fractures of marriages.

Hook is a 1991 American fantasy adventure film directed by Steven Spielberg and written by James V. Hart and Malia Scotch Marmo. It stars Robin Williams as Peter Banning/Peter Pan, Dustin Hoffman as Captain Hook, Julia Roberts as Tinker Bell, and Bob Hoskins as Smee. The film acts as a sequel to J. M. Barrie's 1911 novel Peter and Wendy and focuses on a middle-aged Peter Pan who returns to Neverland to save his children from Hook's clutches.

Irma Vep is a movie that was released in 1996. It was written and directed by Olivier Assayas and starred Hong Kong actress Maggie Cheung, who played a fictionalized version of herself. The film is a comedy-drama about the struggles of a French film director, played by Jean-Pierre Léaud, as he attempts to remake the classic silent film serial Les Vampires from 1915-1916. The movie takes a unique perspective, largely through the eyes of a foreigner, Cheung, and also examines the state of the French film industry.

For the legions of loyal Easter Bunny fans who have been long convinced the dentists' best springtime friend has not enjoyed nearly enough big-screen face-time, a tragic victim of the movie industry's pro-Santa preference, Hop brings a welcome measure of relief…maybe. Hugh Laurie does the voice of Easter Bunny, Sr., in this CG/real-life mash-up; Russell Brand lends his vocal talents to "E.B.," the Big Rabbit's prodigal son, who has run-off to Hollywood in hot pursuit of his career as a drummer, and clearly in the game for more than hard-boiled eggs. "In fact, Hop enjoys one distinct advantage over the truckload of CG/real-life hybrids currently headed your way: it has a decent plot and a well-crafted script. E.B. was supposed to take-over the family business when he split; and when Hollywood turns-out less than rewarding, he fakes injury from a car accident, imposing his own slacking self on another L.A. slacker, whom E.B. entrusts with the business of saving Easter. James Marsden plays Fred, unrepentant slacker and reluctant host. Kaley Cuoco, Elizabeth Perkins, and Chelsea Handler add depth, style, and spice to Hop.

Hangover immediately knocks down by the hurricane humor. Is not always this sense of humor is bontone, but almost always successful. Hangover is a movie with a very clever composition and structure: there are amazing flash backing vocals, and the action that evolves backwards-ahead, there are a lot of plot quirks that did not tangle, but for sure amaze you. From the standpoint of the movie formal construction of the picture it's just brilliant. There is a very clear role differentiation: each character is an expression of a prejudice, a walking stereotype, which manifests itself in different situations so predictable and therefore all the film looks like parody.