True Detective is an American anthology crime drama television series created and written by Nic Pizzolatto. The show premiered on January 12, 2014, on HBO, and it has three seasons, each consisting of eight episodes. The series is set in Louisiana and follows two detectives, Rustin Cohle and Martin Hart, as they investigate a series of gruesome murders.

"Power" is an American television series that aired from 2014 to 2020. The show follows James "Ghost" St. Patrick, a nightclub owner in New York City who leads a double life as a drug kingpin. The series explores themes of power, corruption, and redemption, as Ghost tries to balance his criminal empire with his desire to go legitimate and leave his criminal past behind.

Law & Order: Los Angeles TV Show is one of the many branches of the Law & Order franchise that give you an in depth look at the work and lives of the LAPD's Robbery Homicide Division. Detectives Rex Winters and TJ Jarusalski lead the search uncovering the answers to LA's biggest crimes with the backup of District Attorney Morales who is force to be reckoned with in the courtroom. Law & Order: Los Angeles TV Show is a crime drama that shows the beginning to end process of locking up the bad guys, from showing up at the scene to the investigation to the courtroom. It is sure to keep you interested!

The Rookie is an American police procedural television series that premiered on ABC on October 16, 2018. The series follows John Nolan, a man in his forties who becomes the oldest rookie at the Los Angeles Police Department. The show explores the challenges and obstacles he faces as he pursues his dream of becoming a police officer and navigates his personal life.

"MURDER COMES TO TOWN" is a true-crime television series that examines high-profile homicide cases in small towns across America. The show takes a closer look at each murder case and the impact it has on the community. It also delves into the police investigation, the trial, and the aftermath.

"The Chicago Code" has nothing to do with deep-dish pizzas or the cruelly cursed Cubbies. "The Chicago Code" openly, unabashedly, plain and simple, is all about good versus evil. The good guys following "The Chicago Code" are very very good, and the bad guys breaking the code are very very bad. The windy city itself, definitely a critical element in the drama's development, lives somewhere in-between. Chicago may be "the second city," but it stands out as America's number one oxymoron. "Hog-butcher to the world," Chicago also brought us Hemingway and Frank Lloyd Wright. Home to Picasso's breathtaking artistic monument, Chicago also has been home to some monumental con artists: Rod Blagojevich comes immediately to mind. "Blaggo" is to Chicago scams as the Picasso is to the city's art and architecture. More to the point of "The Chicago Code," in just over thirty years, thirty-one second city aldermen have been convicted of violent crimes or corruption. In Chicago, graft greases the wheels and gets your streets ploughed. Although corruption may be common as camel-hair coats on the Magnificent Mile, Chicago cops still want to collar the bad guys. "The Chicago Code" attempts to dramatize how and why they do it, and it packs a pretty good punch for a network production. Critics and home-grown Chicago viewers strongly suspect "The Chicago Code" would achieve its completely gritty potential on cable, but it's hard to complain about Jennifer Beals, still fit and fabulous all these years after Flashdance, going balls-to-the-wall against the bad guys in Monday night primetime.