"PAUSE with Sam Jay" is a late-night talk show where Sam Jay hosts a party at her apartment, along with her guests, discussing current topics. They delve into these topics in more detail throughout the episode with additional interviews, sketches, and animation.

The Masked Singer is an American reality singing competition television series. The show features celebrities singing songs while wearing elaborate costumes and masks that conceal their identities. Each episode features several performances, with the judges and audience trying to guess the singer behind the mask.

competition format. This time four hosts: an American singer and actress Kelly Brianne Clarkson, a nine Grammy Awards winner John "Legend" Roger Stephens, a singer and musician Robin Charles Thicke and an American country music artist Jennifer Nettles will compete in a quite unusual way. Their aim is to outrun the rivals by winning a song contest of duets. Each duet will consist of host itself and a partner they have to find. And all the intriguing things are starting here: Clarkson, Thicke, Legend and Nettles will travel USA to find the talents on which they would be totally dependent during the series run. As Clarkson said in the first interview as the host of Duets: "The simple fact that I get to go out and find two people I believe in, sing with them every week and help them accomplish their dream is an amazing thing I can't wait to be a part of". Well, we have to hope that the sharp-cut and unordinary idea of Duets will be implemented in the best way with all the fans of American Idol getting the new exciting show to watch instead. Even more, now you have a strong reason to sing at public places hoping John Legend is somewhere nearby to hear and pick you. Because the prize is really great: a contract with Hollywood Records for a winning duo that certainly worth most hardest efforts.

The Celebrity Apprentice 3 (The Apprentice 9) is the reality television show - the ninth installment of the United States version of The Apprentice. The Apprentice show depicted 16 contestants from around the country with various backgrounds competing in an elimination-style competition to become an apprentice to Donald Trump. The winning contestant would have the opportunity to work for Trump as the president of one of his companies for at least one year with an annual salary of $250,000.

"Kourtney and Kim Take New York" chronicles the continuing adventures of the unmarried Kardashian sisters as they work their strange magic on adoring fans in the Big Apple. Like magnets among loose nails, the girls draw a crowd wherever they go, cameras stalking every step. Viewers enjoy more of the intense Kardashian programming they apparently craved and demanded. On any given day, E! empowers you to keep up with some kind of Kardashian in at least three ways during approximately twelve hours of non-stop first-letter-"K" programming. If it weren't for the success of Chelsea Handler, E! News, renegade women fleeing the Playboy mansion, and "Fashion Police," the Kardashians would fill entire programming days. Apropos of "reality" programming, "Kourtney and Kim Take New York" has neither plot nor script, but it has plenty of "situations." Kim, more or less determined to remain single for an entire year, nevertheless has no qualms about exciting hook-ups with assorted styles and flavours of eligible New York bachelors. Kourtney, ostensibly the more level-headed and businesslike of the two, apparently lives vicariously through Kim. Together, they allegedly run a business in-between pictorials, promotions, parties, and "Patron"-powered club appearances. Moralists might worry, as "Kourtney and Kim Take New York," they corrupt an entire generation of impressionable "˜tween girls, but studies show thirteen-year-old boys are the Kardashian sisters' biggest demographic.

When Bravo began promoting "The Real Housewives of Orange County" TV series in 2006, the producers and the network hyped the series as a "documentary" hybrid of ABC's monster hit "Desperate Housewives" and Fox's equally popular "The OC." The emphasis on "real" did not suggest "average and ordinary"; instead, it suggested "real" as opposed to the housewives on Wisteria Lane and all the pretty people in the rest of the prime real estate south of Los Angeles and north of Camp Pendleton. In its first several seasons, "The Real Housewives of Orange County" TV show beguiled and enraged viewers with its emphasis on five frighteningly wealthy women ensconced inside an exclusive gated community and addicted to shopping, tanning, and their own petty dramas: for example, should a smart-mouthed, disrespectful daughter get a new BMW or a new Mercedes for her sixteenth birthday? In subsequent seasons, reality has caught-up with the housewives, who have been forced to down-size and down-scale in the wake of job losses, foreclosures, marital problems, and other genuine crises in the lives of "real" housewives.