Stars Hank Azaria, Kathryn Hahn, Natasha Leggero, and Al Madrigal apparently are having fun with the US version of a British hit titled Free Agents. The PR firm of CMA is the scene for much of the frivolity and even though the employees are there to assist their clientele it seems as if they can barely handle their own personal interests let alone be of assistance to any customers. Sitcoms that deal with workplace romance and banter have been popular for a long time (The Mary Tyler Moore Show, News Radio, Scrubs, Mad Men, The Office). There may be little in the way of plot line but plenty of humor, particularly of the dark and borderline mean variety. But the cast handles it all and even succeed in making the audience like them, well most of them. Sleazy and kinky yet charismatic boss Stephen (Anthony Head of Merlin and Buffy The Vampire Slayer) makes each day difficult for his staff. In the first episode we find two of the workers have committed the "cardinal" sin of employees sleeping together. Alex, played by Hank Azaria (does several voices on The Simpsons) and Helen (Kathryn Hahn of Crossing Jordan) get wasted and spend time in bed together, waking the next morning with more than just a hangover. At work other employees drill them for details and Alex nearly becomes a stalker trying to convince Helen to let him move in.

Take a pair of long time friends who've become attorneys then put them to work in a stuffy law firm, and you have a new hit television series called Franklin & Bash. Breckin Meyer (Garfield: The Movie & Ghosts of Girlfriends Past) is Jared Franklin, overly self confident son of a well known trial lawyer who still loves to party, even while on the job. Mark-Paul Gosselaar (John from Cincinnati, Raising the Bar) plays Peter Bash who has been a close friend of Jared's for years and is much more mature than his zany pal "crash" a law firm by use of some rather unconventional techniques that amaze senior partner Stanton Infeld (Malcolm McDowell (A Clockwork Orange) enough that he hires them to work in the firm. Once they move to the new prestigious firm even get their own enormous partners office. Franklin & Bash realize they've hit the jackpot with their new jobs and won't let their stuffed shirt new bosses tell them how to practice law. All is not well, of course, and they learn that compromise is important to succeed in their line of work and still have fun doing their jobs.

From the 8th of March, 1993 until the 28th of November, 1997 a "socially awkward" yet somehow lovable duo with the unlikely names of Beavis and Butthead ruled the MTV airwaves. The pair loved heavy metal rock and roll and hailed from the fictionalized town of Highland, Texas where they grew up with no apparent adult supervision (think Charlie Brown, Lucy, and Linus). Highland High School teachers didn't quite know how to deal with the rather dim-witted pair"¦ that is when the two even bothered to attend school. This may be simply a lesson in how not to survive the teen years or perhaps a cautionary tale of how to be obnoxious and perverted while giving commentary on popular music videos. In any case those around Beavis and Butthead tend to get in harms way while the "boys" skate free. As in the time Butthead fired a rifle that resulted in hitting an airliner (a Boeing 747). With part time jobs at the local Burger World, among others, and still wearing their AC/DC t-shirts they manage to survive as they provide bawdy comments for today's reality TV shows like Teen Cribs, UFC fights, and Jersey Shore.

The next big thing in ABC family repertoire, a parenting comedy Baby Daddy, from the very first episode looks like Rising Hope and Three men and a Baby, mixed and stirred. If you are 18-34 years old women your chances to find this comedy entertaining are very high. Otherwise, if you are not belong to this target audience, we recommend you to not waste your time. Although the baby-girl (Emma) in Baby Daddy is very cute, this doubtfully compensates the flatness of acting and primitiveness of hijinks, all of them are revolving about unexpected pregnancy and baby's bodily functions. The background of the story is getting us from the very first episode. An aimless dude, Ben with his friend Tucker finds an infant at doorsteps of their small apartment which they share with Tucker's hockey-player brother Danny. The baby comes with the short note form Ben's former one-night-stand girlfriend. Ben decides to take a care of the child, hoping that his friends, Tucker and Danny alongside with his overbearing mother Bonnie (Melissa Peterman) and his school-friend Riley (Chelsea Kane) will help him with parenting functions. The main storyline is shadowed in some funny way by undercover intrigues taking a place between friends: Riley has a crush on Ben since the school-times, and Danny seems to be on the opposite apex of this love triangle.

Starring Edie Falco, Showtime's "Nurse Jackie" stands out as arguably the best medical drama on television, because the premium cable network allows writers and producers plenty of latitude for developing all of Jackie's passions"”the quality of her patients' care, the unbearable arrogance of vaguely sociopathic physicians, and the delicious relief of good orgasms and Oxycontin. "Nurse Jackie," both the character and the show, have some issues: The character suffers excruciating pain from a bad back and therefore has developed an addiction to painkillers. Yes, you have seen this dangerous dilemma recently on both "House" and "Southland," where the admirable characters continue doing their wonderworks despite their addictions. "Nurse Jackie," the show, suffers a subtle but unmistakable identity crisis, suggesting opportunities for some of the most brilliant black humor known to American medical drama; but, like a pensive and pretentious nineteen-year-old, it insists on taking itself much too seriously. One critic aptly observes, "'Nurse Jackie' doesn't look like the average network medical drama, but it does follow the formula of many premium cable shows, taking a knowing and at times dark, sardonic look at the classic themes of love, life and work." The critic, however, forgets to mention that nowhere does "sardonic" appear as a synonym for either "funny" or "engaging."

"History of the World, Part II" is a 1981 American film that parodies historical events from the Old Testament through to the French Revolution. The movie is a sequel to the 1981 film "History of the World, Part I" but the second part was never made.