Key & Peele is a sketch comedy show that aired on Comedy Central from 2012 to 2015. The show starred Keegan-Michael Key and Jordan Peele, who both wrote and performed the sketches. Key & Peele tackled a variety of topics including race, politics, and popular culture.

In 2012, Punk'd returns on the screens after eight brilliant seasons, shot and released in 2003-2007 time frame. And if many years ago, these 8 seasons make not particularly well-known Ashton Kutcher a Hollywood star, the new season starts with ready-made pop star Justin Bieber. Those who watched Punk'd in 2003 had witnessed the TV show made a star, and in 2012 we will see the star who makes the show. Whatever it was, Punk'd has never lacked any "starness": every season consisted of three pranks on three different celebrities. It is easy to calculate the total of eight seasons with 8 episodes on each return 192 celebrities who have become "victims" of Ashton Kutcher jokes. Good pool for the gaining the right connections in the world of show business, indeed, excepting the cases where the lack of a sense of humor of some stars endangered the health and lives of the show's host and its leading actors. In 2012, Justin Bieber opens score of punk'd celebrities, which means that the new version of the MTV series is beginning to attract the attention of almost billionth army of his fans from very first episode.

Legendary bad-boy and all-around ace philanderer Charlie Sheen stars in CBS's hit sitcom "Two-and-a-Half Men," inspiring most loyal viewers to wonder how much the show and its situation actually challenge the million-dollar jokester really to act. Sheen plays, just coincidentally, of course, Charlie, a profligate composer living comfortably on the beach in Malibu thanks to his singular gift for making-up catchy commercial jingles. Charlie's steadfast devotion to "The Playboy Philosophy" meets serious challenges when his frighteningly repressed, skin-crawlingly anxious, and obnoxiously too-preppy chiropractor brother moves into the beach house, bringing his adolescent son with him"”both refugees from a Southern California tract-house divorce. Perfectly cast for his role in "Two-and-a-Half Men," John Cryer brilliantly recreates Alan's tics, quirks, and peccadilloes; and Angus T. Jones, television's consummate anti-Disney superstar, makes puberty and cluelessness look (almost) vaguely adorable. Brilliant, insightful, incisive, snarky and sardonic, frequently edgy, deliciously allusive writing keeps the show fresh and relevant"”lots of running jokes and familiar motifs have developed, but nothing ever seems even vaguely old"¦least of all, Charlie Sheen.

"Psych TV Show" features slick psychic crime-fighter with no psychic gifts. Unlike most basic cable networks, USA has generated many of its own hit shows on the strength of excellent characters and situations enhanced by exceptional writing. As bigger networks go into hibernation between seasons, USA wisely introduces its powerhouse programming. Among the network's original scripted dramas, "Psych TV show" has become one of the favorites. Walking the margin between crime drama and satire with tongue very deeply in cheek, "Psych TV series" stars James Roday as a fast-talking, exceptionally observant private investigator who manages to persuade the Santa Barbara police that he actually is a psychic. The backstory shows the tension between father and son, and it emphasizes how dad trained Shawn to pay attention to the most minute details, coincidences, and anomalies in everything he observes. Acute powers of observation easily pass for mystic revelations, and a healthy dose of wise-cracking charisma seals the deal. Over the objections of his disapproving police officer father, law enforcement officials reluctantly hire Shawn Spencer, psychic, to assist with solving their most challenging cases. Of course, Spenser and his reluctant sidekick Gus, brilliantly brought to life by Dule Hill, succeed where others fail.

Their friends acknowledge it always has been this way: Tina Fay gets lots of headlines and personal appearances while Amy Poehler does the majority of the comic heavy lifting. The trend continues in NBC's high-powered Thursday night comedy line-up as Fay continues driving "30Rock" to the top of Nielsen's charts and Poehler brilliantly busts-out gut-busters with her new sit-com "Parks and Recreation." In much the style of "The Office," Poehler's "Parks and Recreation" TV show works the popular mockumentary format; and her character, Leslie Knope, willingly gives voice to her relentless optimism as she speaks directly into the camera. Leslie serves as the Deputy Director of the parks and recreation department in Pawnee, Indiana, where she considers herself a rising star in the local political firmament. Think of her as the female equivalent of Steve Carrell's "Office" character, prone to pretzelating the truth with observations like, "These people are members of a community that care about where they live. So what I hear when I'm being yelled at is people caring loudly at me." Professionals devoted to the sad enterprise of explaining the jokes stress that Poehler's genius lies in her ability to make an obvious ditz both funny and sympathetic rather than just plain weak. Women may not feel inspired to vote for Leslie, but they cannot help loving her.

For all the right reasons, "Community" has become one of the mainstays in NBC's comedy line-up. During its first season, "Community" focused on attorney Jeff Winger, disbarred after the accreditation committee discovered his undergraduate degree was from Colombia the country, not the university. Determined to win reinstatement in his old profession, Winger enrolls in community college, forming a Spanish-class study group which includes, among others, a cynical divorcee and a mid-life millionaire who made his money in moist towelettes. "Community" bravely exploits the ethnic and economic diversity in the study group, showing its gifts as an equal opportunity satirizer. The writers also have courage to wring big laughs from realistic representation of life and attitudes in "junior college." During the second season, "Community" had large and loyal enough following to encourage writers' development of plots centered on characters other than Winger, and they developed some of their best material by focusing on the dynamics of the group itself. Every member of "Community's" all-star ensemble cast has impeccable comedy or small-screen credentials: Chevy Chase's resume, of course, reads simply "legend." Joel McHale, Gillian Jacobs, Yvette Nicole Brown, and the rest of the cast bring a combined gazillion years of small-screen experience into the mix, and they have imprinted their distinctive styles on their roles. Similarly, all the partners in the production team boast high-powered Hollywood pedigrees and trophy cases full of Emmys. If "Community" had gone dark after the first thirteen episodes, television sets all over North America would have gone straight to test-patterns, because NBC writers and producers would have abandoned all hope for traditional sit-coms' futures.