One of two intense medical dramas NBC introduced in the fall of 2009, "Mercy" had all the advantages its one-named rival "Trauma" did not. First, it had talent behind the scenes. Liz Heldens from "Friday Night Lights" created the show and led the writers, proving once again that the best way to dramatize the real world is to show it realistically"”ugliness and all. Second, it had attitude and guts to stay true to its revolutionary premise, the well-informed notion "that nurses remain [not only] more generous caregivers, but that they are more intuitively apt, smarter, more committed and as technically able as their [physician] superiors, with none of the accompanying arrogance." In a winner-take-all ER smackdown, you always would go all-in with the Mercy Hospital nurses. The main character, nurse Veronica Flanagan Callahan, has just returned from a tour in Iraq, where she clearly learned more in each day than the pompous, presumptuous doctors learned in all five years of medical school. Of course, Veronica gets neither the respect nor the reward she deserves, but "Mercy" dangles the possibility of true love as just recompense for Veronica's skill and compassion. Taylor Schilling plays Veronica with exactly the right balance of toughness and vulnerability, skillfully juxtaposing her consummate skill as a nurse with her intrepid ingenuousness in matters of the heart. If only "Mercy" had survived into a second season, all the tangled threads in the story might have come to their proper denouement. If only.

Intensely cerebral, narrated more or less in the style of a Latin American magic-realist novel which shows the conclusion before the story begins, "Damages" TV show strangely fulfills the immanent promise in cable television programming, appealing very strongly to what the poet Milton called "fit audience though few." "Damages" series'unmistakable style, sophistication, and subtle sizzle are spellbinding, and the writers have crafted heroes you love to love and villains you love to hate with a team of attorneys working both sides of the continental divide between good and evil. Unabashedly stealing its premise from the Bernie Madoff case, "Damages" asks and answers, "What if you were Madoff's antagonist?" Glenn Close plays Patty Hewes, the high-powered and equally high-priced attorney determined to bring down ponzi-schemer Louis Tobin, portrayed by Len Cariou. The word "perfect" appears in most critics' discussions of their performances. A New York Times reviewer aptly summarized, "It's impossible to overestimate how delicious Ms. Close is as this fiercely driven, mercurial and manipulative woman. " In a stroke of casting genius, the producers chose Lily Tomlin to quicken the character of Mrs. Tobin, long-suffering wife of the arch-villain; the audience remains in suspense about her true colors and motives, suspecting she may be "Damages'" answer to Lady Macbeth. Martin Short also stars as Tobin's family attorney.

Call it one of television's most credible attempts at realistic fiction: Ryan Murphy, "Nip/Tuck's" producer, insists the medical conditions and procedures on which the episodes center "are 100% based on fact." Ironically, though, "Nip/Tuck's" representation of the surgeon's private lives may impress ordinary viewers as the program's most faithful representation of real life people and events. "Nip/Tuck" centers on Sean McNamara and Christian Troy, successful plastic surgeons, originally practicing their science and art in Miami, but conveniently relocated to Los Angeles at the end of "Nip/Tuck's" fourth season. Dr. McNamara, "the nice one," struggles to keep his family together as they weather trials and tribulations that come as the complications of success. Dr. Troy, "the naughty one," loves money and sex, and sometimes commits serious scalpel screw-ups. Never shy about taking-on controversial subjects, "Nip/Tuck" won critical acclaim, Golden Globe and Emmy awards for its treatment of domestic violence, promiscuity, recreational drug use, and the risk of addiction to cosmetic surgery. On March 3, 2010, "Nip/Tuck's" one hundredth episode, last in the series, became the most-watched scripted program in the history of the FX network.

The West Wing is an American television series that premiered in 1999 and ran for seven seasons until 2006. The show is set in the West Wing of the White House, the workplace of the President of the United States and his senior staff. The series revolves around the challenges faced by the President and his team as they work to govern the country and address various crises.

The Surgeon, one of a series of books written by Tess Gerritsen supplied the backstory for the hot new series on TNT named Rizzoli & Isles (after the two main characters in the book). Angie Harman (Baywatch Nights, Law & Order) is a homicide detective in Boston. She finds her life in danger in the first episode when a former medical student attempts to kill her as he has several other voluptuous women. The chief Medical examiner for the state of Massachusetts is Dr. Maura Isles, played by Sasha Alexander (NCIS, Dawson's Creek). Isles is a no nonsense woman dedicated to doing her job well and due to her profession those who know her tend to call her "Queen of the Dead". Rizzoli & Isles develop a good teamwork attitude and solve crimes each week but the one that haunts them both involves Charles Hoyt, a man who was expelled from med school for fondling the female corpses. Rizzoli has scars on her hands from a time when Hoyt stabbed them with scalpels, pinning her to the floor. Hoyt's role is a recurring one so watch for more of that vile character played well by Michael Massee, an actor who plays villains particularly well.

Another reality television show that actually has merit is School Pride. The show is based on an actual restoration on Carver Elementary, a school in Compton, California seven years ago. The schools chosen on this program will receive around two million dollars worth of upgrades and repairs that were sorely needed plus plenty of exposure via the television program. Additionally the student participation helped with School Pride as they were a part of renovations and it is their family, volunteers, and neighbors that help organize the production. The premise is that schools in need of costly repairs can receive help when they showcase how much need there is for improvements and students participate by showing how much pride they have for their school. Somewhat based on the television program "Extreme Makeover: Home Edition" the cameras follow students, teachers, and community members performing the renovations badly needed by a particular school. In seven days it's amazing how much can be done and camera crews will return a few months later to see just how much improvement has been made and how it affects the surrounding community.