Brothers is a film of halftones, notes on the margins, where the beauty is in the Details. But, like many other such intricate work, the film seemed not over: cut off in mid-sentence. The brothers conflict ends with the simple phrase. Sam's internal conflict, the break of conscience after capture in Afghanistan is just honesty. From this point of view Brothers are perceived only a demonstration of acting, the spectacular, of course, but still remaining essentially "the casting". Psychological observations, the reliability of the details and fine texture of the characters are the wonderful elements of the movie, but really outstanding masterpieces are crowned with the point, not the dots.

Interlocking worlds is the main advantage of The Lovely Bones movie. Peter Jackson has managed to build two universes, two micro-cosmoses. One is the real America of the 70th, a provincial town in which this thriller takes place. The second is a world of fantasies and illusions of Susie, the movie protagonist. It is the space of inexpressible beauty, with the number of perfect landscapes, oases of the dreams. It's so exciting, that will not immediately come to mind at least some analogues, this magical fantasy world in which dwells Susie, do not even comparable with something else. And Jackson so subtly approached the issue that has managed through unprecedented visual beauty and conveys the inner meaning of which he endowed with a beautiful image of the protagonist.

"One Flew Over the Cuckoo's Nest" is a classic film that tells the story of Randle McMurphy, a rebellious inmate who fakes insanity to avoid prison and ends up in a mental institution. The film explores themes of institutionalization, rebellion, and the power struggle between the patients and the staff.

Ballet 422 is a 2015 documentary by cinematographer and documentarian Jody Lee Lipes, and offers viewers a rare look behind the curtain of the professional world of ballet. The film follows Justin Peck, the 25-year-old choreographer of the New York City Ballet as he strives to create the ballet company's 422nd original piece while also balancing other professional commitments in the ballet world. This film offers an intimate look at Peck's creative process, and has been well received by critics. Not only does the movie provide startling insight into the process that brings an idea from its inception into realization as a ballet show, but it also highlights the commonplace workaday atmosphere that pervades life behind-the-scenes in an industry which is usually enshrouded in glamour. This piece is a must-see for anyone who is thinking of becoming a professional in the ballet world, or for any passionate ballet enthusiast who wants to learn more about what goes on behind the curtain.

Caroline and Jackie, directed by Adam Christian Clark showcases us a horrific scenario of one-evening dinner with unexpected quests. The movie centers on two sisters, Caroline and Jackie who seems to be the lovely siblings, but from the very first minute we are to understand that something is wrong with their relationships. First of all, Caroline unexpectedly visits Jackie at her home and invites sister and her friends to the restaurant party despite the fact that Jackie was cooking al the day to have a great dinner with her friends. As Jackie agrees to accept Caroline's invitation she learns that this improvised surprise party was arranged by Caroline to celebrate Jackie's birthday, which passed two months ago. A ridiculous dinner turns to totally boring nightmare as quests gradually immerse into sisters uneasy relations hearing Caroline jibes addressed to Jackie As everybody feels that dinner is broken they finish the dishes hastily and moves to Jackie's house. However, if you suppose that Caroline is the "bad guy" in among the siblings, it means that you dramatically underestimate Jackie's nature. And this is not the end, as the action unfolds it becomes absolutely clear that their friends, both Caroline's and Jackie's are complete ass-holes as well. It's hard to say why Adam Christian Clark so carefully and accurately filmed such a bunch of deranged characters, but nevertheless he made it masterfully.

The Survivor is a drama film released in 2021, directed by Barry Levinson and starring Ben Foster. The movie is based on a true story of Harry Haft, a Jewish boxer who survived Auschwitz and went on to have a career in boxing.