If you are very fan of such movies like The Illusionist and The Prestige, the 2013 year will delight you with some brilliant surprises. There are two movies worth your attention in 2013 The Incredible Burt Wonderstone and Now You See Me. And if the second one looks more like some mix with drama and crime genre, the first one is the "pure magic". Much like Nolan's The Prestige, Don Scardino's The Incredible Burt Wonderstone tells a story about two magicians Burt Wonderstone and Anton Marvelton whose performance gained them the first place in world rankings, but suddenly their fortune dried when Anton gets trauma during the performance. It was an accident, but Anton blames Burt for this and leaves the show. Burt has to overcome desperation, he tries to find something credible in his life to draw inspiration for the new magic shows. For worse, a previously unknown street-magician Steve Gray enters a big scene with a dangerous, but much acclaimed trick which builds him the whole show, makes it an enormously popular one. Burt understands that Gray's success means checkmate for him when his beautiful assistant, Jane turns against him and joins Gray. There only salvation for Burt, to convince Anton forgive him and reunite in some new glorious show to overshadow Gray. It's not an easy mission to accomplish, because Anton has moved to Far East and seems to be quite happy without Las Vegas turmoil. Don Scardino managed his best to gather such a brilliant cast in this 30 000 000 USD movie: Jane is played by Olivia Wilde (Relanxious, The Third Person, People Like Us, Deadfall, TRON: Legacy) while main antagonist Steve Gray is portrayed by Jim Carrey (Dumb and Dumber To, Loomis Fargo, Mr. Popper's Penguins). The main character Burt Wonderstone is played by Steve Carell (Frank or Francis, Hope Springs, Date Night) while his partner, Anton Marvelton is depicted by Steve Buscemi (On the Road, Rampart, Grown Ups). And if you are not impressed enough, David Copperfield stars in The Incredible Burt Wonderstone as illusionist David Copperfield, of course.

The Roommate's premise seems simple enough, and in light of Virginia Tech and elsewhere, maybe even plausible. The studio says The Roommate is, ""A psychological thriller about a deranged college freshman who becomes obsessed with her new roommate." If the girls take Psych 101, they may learn "deranged" is not appropriate clinical vocabulary for a girl who systematically and deliberately murders all of her roommate's friends and loved ones. To their credit, Leighton Meister who plays Rebecca, first-year serial killer, and Minka Kelly, who plays Sara, unwilling object of obsession, rise above primitive writing and production values that fall far short of the balance between sex and fear, redeeming the movie as much as any two gifted girls might. The Roommate may be more valuable as a promotional piece for Los Angeles Loyola Marymount University; and, over time, the film may be far notable as a showcase for 2011 college fashions than for its riveting representations of paranoid schizophrenia. Will those nasty blood stains wash out of that adorable Abercrombie skirt?

Todd Robinson's Phantom is an action thriller about a fictional chain of extremely dangerous events supposedly taken place in the midst of Cold War. The movie's plot revolving around the haunted Captain of Soviet Submarine heading to the center of military exercises of US Army with the dangerous crew members and nuclear missiles on the board. Those dangerous crew members are the KGB agents with the secret mission to launch deadly missiles. The target is the US Navy ships and submarines concentrated in the center of training operation. This will destroy the major part of US Navy and provide an advantage for USSR Army. And, for sure, this will ignite the Third World War resulting with all the devastating nuclear consequences. The Captain of Soviet Submarine, Dmitri Zubov (Ed Harris) stands between an uneasy choice: to herd with hellish KGB Officer (David Duchovny) dreaming to unleash nuclear war, or to turn against his country and save the world.

The American is a contemplative movie, yet unhurried and relaxed. Anton Korbeyn, who previously filmed only music videos, directed the movie ideally for the Clooney manner of playing. And that he succeeded. "Perhaps the director's fascination with photography was reflected in the "The American". The film is filled with static plans, where the sound is not important. In terms of speech: it is composed of multicolored mosaic of Italian and English, and the latter felt quite out of place, as the killer himself is an American lost somewhere in Italy in a small quiet town. Minor characters are also transmitted perfectly. There are two faces: a prostitute fallen in a true love, and a priest with a dark spot in his heart, that's a circle of acquaintances of the person cannot make friends. "The only thing that stands out from the track is the ending. During the movie could be the same hope for happy ending, or wait for the sad ending, and the result is an incomprehensible jumble. "But "The American" is an excellent movie, which in case you want to look for a second time, did not enjoy the story, or tricks with the shooting, and a serene image with an already old Clooney as the central figure. And in general, it is recommended to all the fans of the actor, as well as connoisseurs of European cinema.

Brothers is a film of halftones, notes on the margins, where the beauty is in the Details. But, like many other such intricate work, the film seemed not over: cut off in mid-sentence. The brothers conflict ends with the simple phrase. Sam's internal conflict, the break of conscience after capture in Afghanistan is just honesty. From this point of view Brothers are perceived only a demonstration of acting, the spectacular, of course, but still remaining essentially "the casting". Psychological observations, the reliability of the details and fine texture of the characters are the wonderful elements of the movie, but really outstanding masterpieces are crowned with the point, not the dots.

Network is a 1976 American satirical drama film directed by Sidney Lumet and written by Paddy Chayefsky. The film follows a fictional television network, UBS, and its struggling news division, as they try to boost their ratings by any means necessary. When one of their veteran news anchors, Howard Beale, has an on-air breakdown and begins ranting against society, the network sees an opportunity to exploit his popularity and turn him into a media sensation.