Since its debut night back on September 21, 2010, Tuesday night viewing hasn't been quite the same. Detroit 187 brings a gritty realism to television that shows the heroic and positive side of the city that cars built. The program is a crime drama and with its ensemble cast of great actors, explores various 187's (police code for homicides) that occur with frequent regularity in the writer's minds in the Motor City. We, the viewing audience, ride along and explore the people and reasons why murders happen and why they are part of the culture of every big city. Detective Louis Fitch, played by Michael Imperioli, is rather rough around the edges yet as a ten year veteran of the DPD was first a cop with the NYPD, bringing that tough mentality to the Motor City and almost fitting in. Sergeant Jesse Longford (James McDaniel) is a lifelong resident of Detroit whose father was also a police officer. He's tough yet understanding and about to retire. Aisha Hinds is yet another alumni of NYPD Blue and represents a tough as nails black woman who heads up the DPD homicide unit. The entire cast is superb and with good writing Detroit 187 should be around for a good long while.

Titans is an American superhero television series that premiered in 2018. The show follows a group of young heroes led by Dick Grayson, the former sidekick of Batman, as they form their own team to fight crime and battle their personal demons. The team includes Rachel Roth, a teenage girl with demonic powers, Garfield Logan, a shapeshifter, and Kory Anders, an amnesiac with the ability to emit energy blasts.

Charlie's Angels first came our way back in 1976 and was a huge hit! Now this "reboot" promises to be at least as successful as the original due to beauty and brilliant writing. Seems these three young, self confident, and self reliant women each have a rather shady past. One was a cat burglar, another was a dirty cop, and the third was booted out of the Marine Corps. But Charlie Townsend (Victor Garber), who just happens to be extremely wealthy and dedicated to fighting crime, helps these young ladies get back on the right track when he hires them to assist in solving crimes. As he directs them over the telephone we never actually see who Charlie is but just hear his voice. Abby Sampson (Rachel Taylor of Grey's Anatomy) is a thief who originally came from a wealthy family. Kate Prince (Annie Lionzeh formerly from General Hospital) is an ex cop who got involved with corruption while with the Miami PD. Then there is Gloria Morales (briefly played by Nadine Velazquez from My Name is Earl before the character is killed off). And once Gloria is killed in a car bombing she is replaced by Eve French (Minka Kelly most recently seen on Parenthood). Eve was close with Gloria and now she loves to race fast cars and chase down bad guys. Look for some well written scripts (Alfred Gough & Miles Millar) as well as plenty of fast action from these beauties!

Because "No Ordinary Family" has far more in common with "Swiss Family Robinson" than NBC's Chuck or its flash-in-the-pan "Heroes," it comes as little surprise that this family drama with superpowers comes to life on Disney-property ABC. Culled, of course, from the world of graphic novels, "No Ordinary Family" introduces us to Dad, Mom, and two teenagers beset with the normal collection of post-modern developmental and relational complaints, the youngest boasting the added difficulty of a learning disability. After surviving a light-plane crash in the Amazon, the family returns home to discover their ordeal has invested them with super-powers which seem to compensate precisely for their previous inadequacies. Still in its infancy, "No Ordinary Family" faces an unusual challenge: Can it continue developing the lives and times of a typical Southern California family even as it sets the fearsome foursome in hot pursuit of villains culled from the most frightening pages of graphic novels? If it succeeds, "No Ordinary Family" will have added a twenty-first century dimension to Walt Disney's concept of "the plausible impossible."

As the story begins, Chuck is a twenty-something computer geek working at the Burbank, California, "Buy More" store. Chuck receives an e-mail from Bryce Larkin, his former Stanford roommate, who is now a CIA agent, allegedly a rogue. When Chuck opens and reads the e-mail, it embeds "The Intersect" a "neural super-computer" in his brain, making "Nerd Herd" guy the repository of all the CIA's intelligence information. The CIA dispatches Agent Sarah Walker, of course a beautiful blonde, to protect Chuck by posing as his girlfriend. Drama, action, and comedy ensue. The producers describe "Chuck" as an "action-comedy-drama" series. Originally NBC's lead-in to short-lived but monumentally popular "Heroes," "Chuck" has retained the look and feel of the warm-up act for the bigger talent; but the network has failed to deliver the headline act that would save poor "Chuck" from its life constantly on the threshold of cancellation. Critics complain that "Chuck," although clever and loaded with potential, never quite satisfies the requirements of action or comedy or drama, let alone hitting the trifecta. The series has survived largely on the strength of its cute-power and a core of exceptionally loyal fans who know how to use Twitter and Facebook.

Stephen Spielberg and Tom Hanks already had saved Private Ryan and had shown the relatively tame exploits of a brotherly band in the Pacific Theater when they bravely took-on the challenge of recreating the bitter, brutal battles that made Pacific Islands household names in the darkest hours of World War II. Most Americans can trace the broad outlines of the Allies' liberation of Europe, but few can recall the highlights of American Marines' fierce struggles over "tiny specks of earth that we have never heard of." HBO's ten-part mini-series, "The Pacific," retrieves the war against Japan from the threshold of obscurity. Based on survivors' accounts of the battles, and rendered as vividly as the small screen will allow, "The Pacific" tracks three Marines' odysseys from Guadalcanal through Cape Gloucester to Peleliu and ultimately to the epic battle for Iwo Jima. Testifying to "The Pacific's" intense realism, the mini-series collected Emmy Awards for Art Direction, visual and sound effects. More amply testifying to "The Pacific's" overwhelming genius and power, however, the Television Academy awarded it the 2010 Emmy for Outstanding Mini-Series.