"Reservation Dogs" is a television series that was created by Sterlin Harjo and Taika Waititi. It was released in 2021 and is a comedy-drama that follows the lives of four Indigenous teenagers living in rural Oklahoma. The show is unique in that it features an all-Indigenous cast and crew, and showcases the culture and experiences of Indigenous people.

Flashpoint is a Canadian TV drama series that debuted on July 11th 2008 and since then has gripped TV enthusiasts worldwide. The show created by Mark Ellis showcases an elite tactical unit called SRU (Strategic Response Unit) which are presented with tasks to resolve extreme issues that standard law enforcement officers are not capable of handling.

When "The Good Wife" premiered in the fall of 2009, insiders whispered that Alicia Florrick, the good wife, was modeled after Silda Spitzer, the remarkably resilient former spouse of Elliott Spitzer, former New York prosecutor who ended-up himself prosecuted on charges of using public funds to support his prostitute habit. In the first few episodes, Alicia stood mute and shell-shocked as her politician husband admitted to "indiscretions," was tried and sent to jail. With only mild irony, the good wife emerges as the amazing woman as soon as hubby gets fitted for his orange jumpsuit. Played with tremendous grace, style, and power by Julianna Marguiles, Alicia Florrick, a la Silda Spitzer, returns to her old law practice. A little out of practice after thirteen years as wife and mother, she wobbles before she restores her professional standing. As "The Good Wife" evolved, it outgrew its need for "ripped from the headlines" comparisons. Episode by episode, Marguiles quickened, toughened, and deepend Alicia's character. Her imprisoned spouse becomes simply a footnote or sidebar as Alicia struggles to keep her family intact and build her career in a law firm riddled with scheming, scandal, and intrigue.

"Spartacus: Gods of the Arena" - different gladiator, same sex and violence. Starz' deliciously decadent"”salacious, violent, often flat-out brutal"”"Spartacus: Blood and Sand" recently went on extended hiatus, leaving its legions of loyal fans "jonesing" for their weekly doses of decapitation and bare breasts. The Spartacus team satisfied fans' craving with "Spartacus: Gods of the Arena," a six-episode prequel to the continuing saga of Batiatus and Associates. Starting with a flashback montage of "Blood and Sand's" greatest hits, more precisely Batiatus's life flashing before his eyes in the moment before his death, "Spartacus: Gods of the Arena" shows Batiatus's rise to prominence and power with the assistance and support of his all-pro gladiator Gannicus. Because these stories represent "a more ruthless time"¦where honor was just finding its way into the arena," the writers and producers feel free to elaborate and experiment with their already-established characters, and they feel similar artistic license with super-slow-motion gore and fun-fantasy sex. They clearly are perfecting their craft. One particularly insightful viewer concluded his review of "Spartacus: Gods of the Arena" with a sage observation: "I think that's one of the smart decisions putting it on a Friday night since it's an ideal end of the work week thing to watch."

"Mad Men TV show" delivers its drama in the same slick and glossy packaging the Madison Avenue ad-men serve-up to their clients, making it just as stylized, trendy, and gotta-have-it cool as anything as a two-page spread for Chryslers and Chesterfields in the centerfold Life. Central character Don Draper, a pitch-man with a secret and sordid past, ruthlessly and relentlessly courts clients and seduces women, attempting to feed his insatiable ego. In other words, he personifies the archetype of the ad-man. Draper races full speed to stay one step ahead of changing times, cut-throat competitors, and revelation of his secrets: Born the son of a prostitute who died in childbirth, he stole a Korean war buddy's identity to put on a patina of respectability. Propriety and respectability figure prominently in the drama, which accurately represents steamy seductions and corner-office conniving hiding behind the Norman Rockwell wholesomeness of 1960s family values. Brilliantly written, beautifully photographed, and consummately well acted, "Mad Men TV show" has collected a boatload of awards, including three Golden Globes and back-to-back Emmys.

Cassie is a shy young girl of sixteen when she discovers she is a witch with powers yet to be discovered. She joins a Circle of witches in New Salem and finds it a competitive world indeed. Cassie is in love with a boy she meets called Adam who is Diana's boyfriend. Diana soon becomes Cassie's best friend so that complicates things a bit. And she now must deal with Faye, another witch. Their Secret Circle rules at the high school Cassie now attends and witches can be dangerous when they are angered. The Secret Circle of witches have been in power and ruling for three hundred years in New Salem and they will use their powers to do pretty much as they wish, including manipulating innocent students into doing their bidding. Can Cassie and her newfound powers of witchcraft be strong enough to lead this witches coven from danger or will they be harmed by the dark forces instigated by a few in the Secret Circle? When the evil Faye assumes power over the Circle she leads them into dangerous territory and even death for someone near to them all. And then the witch hunters arrive on the scene to complicate things even further.